I would say that yes, there we Kaladze played really well ...
year 2012/2013 Milan
Gianni Atzeni, born in Cagliari in 1947, lives and works in Sardinia.
I his career in the field of visual arts began around the '70s with the deepening of the various aspects of the practice of painting and intaglio printing. In the '80s, enter contests of the capital city of International Graphic UTP, and exhibits at international exhibitions of graphic to Istanbul, Budapest, Rome, Brussels and Vienna. In 1986 he opened PoliArtStudio, artistic laboratory with an attached printing works which organizes exhibitions courses incision. His research in the specific area of \u200b\u200bthe incision, are continuing and are many. Engraver atypical of inspiration informal stages of the research approach to lyricism neofigurativo, using a variety of ranges of materials, print and assemble metal matrix, includes in his artistic expressions such performative and large installations.
"The beginning of Gianni Atzeni bind to one of the most significant experiences that Sardinia has known, not in historic , but among the figures that emerged and matured in the 80s (and not only in ones), the the cultural at large and the visual arts. We refer to the experience from 1983 to 1988 coalesced around the magazine Thelema and its heroic tutelary deity, Louis Mazzarelli, "(M. Magnani). "What does, is an operation that tracing back its recent history of visual arts, allows him to make a merger between two antithetical ways of seeing the painting, one which wants to abandon the two-dimensional work, and that is inspired by informality and a more rational trends stemming from geometric-Cartesian "(MA Sanna). "The use of curved shapes similar to ancient altar, the use of compositional schemes static and fixed, the prevalence of black juxtaposed to the golden glow of the metal sheet, to "evoke a dimension of spirituality and sacredness, which also refers to the interest in the transformation of matter, apparently due to an imaginary field of alchemy," (G. Altea). " In many years of artistic activity, Atzeni's work has always said, purely emotional immediacy of the first glance, the density of the work, the creative engagement with the material that is measured in its certified order "(A. Zander). "The artist experiments, such as its well-established habit, some of the fascinating techniques of intaglio, a passion that never soothed him talk about his fumble with plates and inks, such stories were exciting, "(A. Menesini). "An accomplished investigator that I like to sift through all avenues of technology to arrive at new ways of expression" (MD Picciau). Since 1995 he has seminars engraving techniques at the University of Cagliari at the request of Professor Maria Grazia Naitza Scano, professor of History of Design, Engraving and Graphic Modern. E 'president RAINBOW - PA