Simi Garewal Going Topless In Mera Naam Joker

The following section outlines the last 28 years of my work and exhibitions. It is Divided into chronological order, in Some Cases Where Grouped together

Among the exhibitions of recent years:

1998 - ditty Itinerant OTTOARTE Church Santa Maria Maggiore FERENTINO (FR); Artist's books and visual poetry International Circuit MAIL ART 2 CASTEL SAN PIETRO TERME; Artists for Peace G28 gallery RAINBOW - PA CAGLIARI; Marriage Selargino House Museum Putzu SELARGIUS; Artist's books by letterpress LITHOS graphics , PA RAINBOW G28 gallery CAGLIARI; Cash and Carry 2 Collu SELARGIUS House Museum (CA); Books Artist - International Exhibition Royal Palace CAGLIARI; Jewelry and works on paper Musicateatrodanza G28 gallery CAGLIARI; 1999 - Slips - around the visual poetry gallery G28 RAINBOW - PA CAGLIARI; EXMA - Centro Municipal Art and Culture 3rd Stage Advanced Engraving CAGLIARI; Experimentation and languages \u200b\u200b EXMA - City Centre d'art and culture CAGLIARI; Toys artist Center Man Ray CAGLIARI; 2000 - Collection of graphic works by M. Grace Naitza Scano, Biblioteca Comunale di Isili (Nu); Toys artist (Man Ray) Olla House Quartu S. Elena; Castle, a district of art and artists Art School State - RAINBOW PA. CAGLIARI; STUDIES OPEN Research Centre for Graphic PoliArtStudio CAGLIARI; Cut PoliArtStudio CAGLIARI; Contemporary Art & Furniture Design by Furniture Ferroni KAIROS Sassari EXMA City Centre art and culture the 4th Stage of Advanced Engraving CAGLIARI; Workshops sign EXMA City Centre d'art and culture CAGLIARI; OTTOARTE - Graphics original Association "The Cartel" FERENTINO (FR); sequences on paper G28 gallery RAINBOW - PA CAGLIARI; Books & Books - Artists' books in the library - RAINBOW - PA . Poggio dei Pini CAPOTERRA (CA); Steps and Memoirs Center KAIROS LIVORNO; 2001 - Art reborn every artist , G28gallery, Cagliari. Contemporary Art & Furniture Design by Furniture Ferroni - KAIROS Sassari Artists Erbafoglio G28 gallery RAINBOW - PA CAGLIARI; Steps PoliArStudio CAGLIARI; Artists Erbafoglio Center KAIROS Sassari Artists Erbafoglio - JAZZ TIME - Wine Museum Berchidda (SS); 2002 - STOP TIME Cultural Center MAN RAY CAGLIARI ; 2003 - The sign in the book, third edition Ilisso bookmarks (Nu). Traveling exhibition of the originals. Catalogue with texts by Henry Ilisso Sturani, Giuliana Altea and John Murtagh - 2004 - signs of dreams & G28gallery - CAGLIARI; The sign in the book The Art of Reading - Reading for art MACOMER (NU); 2005 - not Tapestries tapestry Library Poggio dei Pini CAPOTERRA (CA); For Wire and sign - Small Format / 3 G28 gallery CAGLIARI; Tapestry wall hangings not Serrenti Public Library (CA); 2006 - Opera engraved Tradition and experimentation Palazzo Ducale - Hall Duce Sassari Opera engraved Tradition and experimentation Directorate General Banco di Sardegna - Sassari ; The sign in the book The Art of Reading - Reading for art Frumentario - Sassari; not Tapestries Tapestries SADALI (NU) ; The sign in the book The Art of Reading - The reading for the art gallery Accursio BOLOGNA; Ten years of G28gallery CAGLIARI; Black and White Area Zoom (Salmoiraghi & Viganò) CAGLIARI; Looks copyright G28 gallery CAGLIARI; Show April 25 1945 / 2000, Artists for Sixty years after the liberation Palace Regional Council of Sardinia Cagliari Cittadella dei Musei ; Black and White Torre Aragonese BOSA; Black and White Contemporary Art Gallery Sassari 2007 - April 25 Travelling Exhibition 1945 / 2000, Artists for Sixty years after the liberation , Mine Serbariu of Carbonia (CA); Travelling Exhibition April 25 for the 1945/2000 Artists Sixty years after the liberation Collinas (CA); 2008 - INCISORI ITALIAN The Palace Frumentaria Sassari

critical Excerpts:

... "The beginning of Gianni Atzeni bind to one of the most significant experiences that Sardinia has known, not in historic , but among the figures that emerged and matured over the 80 (and not only those), the cultural at large and the visual arts. We refer to the experience from 1983 to 1988 coalesced around the magazine Thelema and its heroic tutelary deity, Louis Mazzarelli "... (Marco Magnani ).

... "What does, is an operation that retracing reverse its recent history of visual arts, allows him to make a merger between two antithetical ways of seeing the painting, one which wants to abandon the two-dimensional work and which is inspired by informality and a more rational derived from the geometric-Cartesian trends ... (Maximum Antonio Sanna).

... "The use of curved shapes similar to ancient altar, the use of compositional schemes static and locked, the prevalence of black juxtaposed to the golden glow of the metal sheet, to" evoke a dimension of spirituality and sacredness, which also refers to the interest for the transformation of matter, apparently due to an imaginary sphere of alchemy ... ( Giuliana Altea ).

... "In all my years of artistic activity, Atzeni's work has always said, purely emotional immediacy of the first glance, the density of the work, creative commitment that is measured attested to the matter in his own order "... ( Antonio Zanda ).

... "The artist experiments, such as its well-established habit, some of the fascinating techniques of intaglio, a never dormantpassion tell him that his tinkering with plates and inks, as they were exciting stories "... (Alessandra Menesini ).

... "An accomplished investigator that I like to sift through all avenues of technology to arrive at new ways of expression" ... (Maria Dolores Picciau ).

" ... As soon as you put in front of the works of the first Atzeni thing that comes before him, beyond the hidden meanings that may be hidden forms, is the idea of \u200b\u200bwork, physical labor of the commitment behind the creative artist. Of course after a long period where the artisan as a support of creative activity, has been banned after critics have long praised the randomness, spontaneity, creative action, the happening, the excrement ol 'breath produced by the artist, some contemporary masters of the research we are reporting the art that the methods and means of restoring the past, returns to match the size craft with the action creative. I almost began to if they feel the need! When the gesture immediately, full of spontaneity track graphs and glyphs on the page or on the picture plane represents a dimension of the artist who relies on the most part unconscious of the presence in the creative and poetic representation of the artist himself ... "( Diego Gulizia ).

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